The garden scatters burnt-up beetles
Like brazen ash, from braziers burst.
I witness, by my lighted candle,
A newly blossomed universe.
And like a not yet known religion
I enter this unheard of night,
In which the shabbily-grey poplar
Has curtained off the lunar light.
The pond is a presented secret.
Oh, whispers of the appletree!
The garden hangs-a pile construction,
And holds the sky in front of me.
Trailer, extracts rehearsal's recorded fragments, from a
residency in May 2016, at La Maison de la Création, Laeken, BrÜsels. Commissioned and performed by Stéphane Ginsburgh, on a Bechstein 1910 Grand piano.
• { need this attentive listening, to enter the calque's phenomena } •
for Grand piano
1 keyboard (electronics keys prepared piano)
2 Tam-tam (gongs as resonator-speakers)
1 computer (tapes & electronics real-time)
6 transducers (shakers 4/8 ohms) (3 amplifiers 4/8 ohms)
(piano’s body as resonator speaker)
world premiere beginning 2017
more infos soon..
with and for Stéphane Ginsburgh
◊ ◊ ◊
The performance systems using transducers and objects devices to extend and amplify resonances of acoustic instruments.
Qualities of pulsation, sonic-sources (keys, tapes, feedback), written-score (as trigger), live connective tissue within the body of instruments, a malleable kinetics perception of the sonic-matter.
«this piece is a mean of digging into these visceral aspects of sound that have a permeating intensity in live performance » (Sabrina Schroeder)
{It must be more seen as unique organic body, organic patterns and threaded calque’s phenomena.
Therefore the voices (hammers and things around) are into a cascade-layers form, there is a stream of fibers.
Merged-in-tension on time, this terrain of fibrillation and surface tensions, fragilities, patterns of spectral results, attributes magnified and/or reoriented by the various body.}
{ No usual loudspeakers }
◊ ◊ ◊
* will be extended with a Septuor version, A p i c a l e II,
coming soon, beginning 2017, with Ensemble Fractales
* will be released on Sub Rosa records
◊ ◊ ◊
residency in May 2016, at La Maison de la Création, Laeken, BrÜsels. Commissioned and performed by Stéphane Ginsburgh, on a Bechstein 1910 Grand piano.
• { need this attentive listening, to enter the calque's phenomena } •
for Grand piano
1 keyboard (electronics keys prepared piano)
2 Tam-tam (gongs as resonator-speakers)
1 computer (tapes & electronics real-time)
6 transducers (shakers 4/8 ohms) (3 amplifiers 4/8 ohms)
(piano’s body as resonator speaker)
world premiere beginning 2017
more infos soon..
with and for Stéphane Ginsburgh
◊ ◊ ◊
The performance systems using transducers and objects devices to extend and amplify resonances of acoustic instruments.
Qualities of pulsation, sonic-sources (keys, tapes, feedback), written-score (as trigger), live connective tissue within the body of instruments, a malleable kinetics perception of the sonic-matter.
«this piece is a mean of digging into these visceral aspects of sound that have a permeating intensity in live performance » (Sabrina Schroeder)
{It must be more seen as unique organic body, organic patterns and threaded calque’s phenomena.
Therefore the voices (hammers and things around) are into a cascade-layers form, there is a stream of fibers.
Merged-in-tension on time, this terrain of fibrillation and surface tensions, fragilities, patterns of spectral results, attributes magnified and/or reoriented by the various body.}
{ No usual loudspeakers }
◊ ◊ ◊
* will be extended with a Septuor version, A p i c a l e II,
coming soon, beginning 2017, with Ensemble Fractales
* will be released on Sub Rosa records
◊ ◊ ◊